production credits  
 

Arcadia by Tom Stoppard
Directed by: Dennis Garnhum, Guest Artist and Alumnus
Frederic Wood Theatre
March 10 - March 19, 2005

the following article is extracted from the Companion Guide to Arcadia
     

Alwes, Derek B. “'Oh Phooey to Death!': Boetheian Consolation in Tom Stoppard's Arcadia.” Papers on Language and Literature 36.4 (Fall 2000): 392-404.

Bloom, Harold, ed. Tom Stoppard. New York: Chelsea House, 2003.

Bull, John. “From Illyria to Arcadia: Uses of Pastoral in Modern English Theater.” Triquarterly 116 (Summer 2003): 57-72.

Dean, Joan Fitzpatrick. Tom Stoppard: Comedy as Moral Matrix. Columbia: University of Missouri Press, 1981.

Fleming, John. Stoppard's Theater: Finding Order Amid Chaos. Austin: University of Texas Press, 2001.

Gianakaris, C.J. “The Evolution of Tom Stoppard's Comedy.” Indiana Theatre Bulletin 4 (1983): 3-6.

Gussow, Mel. Conversations with Stoppard. New York: Grove Press, 1996.

Hunt, John Dixon. “A Breakthrough in Dahlia Studies: On Arcadia by Tom Stoppard.” Landscape Journal XV. I (1996): 58-64.

Hunt, John Dixon. “The Immediate Garden and the Larger Landscape.” Studies in the History of Gardens and Designed Landscapes 19.1 (Jan/Mar. 1999): 3-6.

Hunter, Jim. Tom Stoppard. London: Faber and Faber, 2000.

Jenkins, Anthony. The Theatre of Tom Stoppard. Cambridge; New York: Cambridge University Press, 1987.

Jernigan, Daniel. “Tom Stoppard and ?Postmodern Science': Normalizing Radical Epistemologies in Hapgood and Arcadia.” Comparative Drama 37.1 (Spring 2003): 3-35.

Kelly, Katherine E., ed. The Cambridge Companion to Tom Stoppard. Cambridge: Cambridge University Press, 2001.

Kelly, Katherine E., ed. Tom Stoppard and the Craft of Comedy: Medium and Genre at Play. Ann Arbor: University of Michigan Press, 1991.

Kramer, Jeffrey and Prapassaree Kramer. “Stoppard's Arcadia: Research, Time, Loss.” Modern Drama 40.1 (Spring 1997): 1-10.

Melbourne, Lucy. “'Plotting the Apple of Knowledge': Tom Stoppard's Arcadia as Iterated Theatrical Algorithm.” Modern Drama 41.4 (Winter 1998): 557-572.

Müller-Muth, Anja. “Re-Presenting Representations: The Landscape Garden as a Sight/Site of Difference in Tom Stoppard's Arcadia.” Word & Image 15.1 (Mar. 1999): 97-106.

Nadel, Ira. Double Act: A Life of Tom Stoppard. London: Methuen, 2002.

Reitz, Bernhard. “Beyond Newton's Universe: Science and Art in Tom Stoppard's Arcadia.” CDE (Mar. 1995): 165-177.

Stern, Guy. “Romantic vs. Postmodern Reality: An Examination of Tom Stoppard's Arcadia.” CDE (Mar. 1995): 155-164.

Vees-Gulani, Susanne. “Hidden Order in the ?Stoppard Set': Chaos Theory in the Content and Structure of Tom Stoppard's Arcadia.” Modern Drama 42.3 (Fall 1999): 411-426.

www.cherwell.oxon.sch.uk/arcadia/outline0.htm
www.theatre.ubc.ca/fedoruk/arcadia/

 

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